Mantione: I’ve been playing with ideas for our RAM performance. Writing a new patch that will double as a sample playback device and live input manipulator. I think I’m going to use an electronic Aeolian harp I built for an installation some time ago. It has 12 strings and is made from Home Depot materials. Completely untunable, but that’s okay. Today I made a bowing structure from a cool tree branch I found. Strung it up with a low E string, and will use that as one way to activate the harp. So, I’ll divide my performance between live activation and manipulation of the harp and triggered samples. Plan to record a ton of sounds (about 100) with contact mics to compile 4 banks of 25 which can be triggered with my little Korg KB. Will also program some generative ideas in MAX.
I know we roughly discussed a 2 hour performance/installation. Now I’m thinking that may be a bit long. On the other hand, I’ve found that pushing the time frame just beyond the limit of comfort can yield unexpected and fortuitous events. How does 90 minutes sound to you?
It’s a square space and very reverberant with a high glass dome. There are actually four balconies, one on each wall facing each other. I’m thinking we could place speakers up there in stereo pairs facing each other on opposite sides and facing down. This may require significant cabling regarding length. I will bring my 8″ Mackies…do you have something comparable for the second pair? We could set-up on the ground floor in the center and run cable such that we would hear the other’s sound in the front and back and our own sound left and right.
Bach: This sounds perfect. I’m excited about the harp and sample alternation; seems like a fertile palette.
Following the Loud/Soft approach, I would love to take those initial recordings, overdrive them into feedback, and then parse them back out into the space as part of our performative conversation. A transmutation of quiet into loud and back into quiet.
I’m fine with long performances, and ninety minutes seems like enough time to investigate and explore the sounds as they are broadcast back into the space. That would also give us time to reflect on the space itself and the overall soundscape of that evening’s festivities. Did you hear back from Kathryn about an artist talk?
I will bring my M-Audio BX5 monitors, but I’ll have to invest in some longer cables. Yet another reason to visit the space soon and map out our intervention.