Archive for April, 2012

Glenn Bach and John Kannenberg

Posted in Duos with tags , , , , on April 23, 2012 by glenncbach
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John Kannenberg at so.cal.sonic

The latest installment of Atlas Sets will be with artist/curator/musician John Kannenberg, currently based in Ann Arbor, Michigan. We have a Skype visit planned for the first week of May.

 

I met John in 2002 when I submitted work for an online exhibition on his netlabel Stasisfield. (We met face-to-face for the first time in 2004 for Soundwalk, the annual evening of sound art in Long Beach, CA.)

Here we are, a decade later, and I can’t imagine what my life and career would be like without him. I look forward to a charged conversation and what I’m sure will be an engaging project to follow.

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Bach + Mantione: current state of mind

Posted in Duos, Themes with tags on April 20, 2012 by glenncbach

“I often go through through these spells where everything, and I mean everything, I hear sounds fantastic…and that is where I am right now.  From the hum of my laptop fan to the most banal apple loop and everything in between.  On the surface this may seem like a good place to be, but I find it disconcerting and impossible to write.  But having been here before I realize it’s a temporary phenomenon and before long my taste will over-power any sense of anarchic aural freedom I may be enjoying at the moment.  I also realize that remnants will remain in my psyche and will merge in unexpected ways.  So I tend to let things ride and enjoy it.

All this being said I have no idea what you and I will create together and I find this exhilarating.  I’ve experimented a lot in my musical life with altered and verbatim field recordings, acousmatic contrivations, sample-based music, electroacoustic music, interactive music, acoustic music, free and not so free improvisation, hacked electronics, etc.  I’ve always thought that at some point I’d find a place to settle–to focus.  This hasn’t really happened and I’ve decided to not [care] one way or the other.  I give myself the license to do whatever I want.  Of course the key word here is want.  Which carries a [lot] of philosophical, psychological and historical baggage.

Baggage may seem like a negative term, and in a sense I mean it to be.  If there is a frame of mind that defines my musical thinking it’s the idea of existing or oscillating on a continuum with all the things I’ve heard and sounds I’ve created on one end, and all the things I haven’t heard or even imagined on the other.  I don’t think I can live fully on either side, but have always felt most satisfied in the discovery end of the spectrum.”

–Phil Mantione, 17 April 2012