Bach + Byrnes: some questions

What can be identified as a percussive instrument?

Can free improv co-exist with a separate “track” of sound-to-film performance? And what if that visual stream is no longer present, leaving the sonic trace of its disembodied soundtrack?

What of the slippage between what we perceive to be true and our ability to map it? Between what we hear in our heads and what can be translated into sound?


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